Read more about Guste Sakalauskaite, a Melbourne-based creative who exhibited at the CCP x Hahnemühle Summer Salon 2023.

We talk to multi-disciplinary artist Sammaneh Pourshafighi about the complexities of influence and finding equal inspiration in both people and place.

Edition 16 celebrates one of Melbourne’s most important art institutions and Australia’s largest open-entry photo media competition, the Centre for Contemporary Photography’s (CCPs) x Hahnemühle Summer Salon 2023.

In celebration of CCP's x Hahnemühle Summer Salon 2023, we talk to creative and multi-media artist Elsa Thorp about the story behind her submitted works and the themes she will explore next.

Read more about Grace Murphy, a 22-year old fine arts graduate currently exhibiting at the CCP x Hahnemühle Summer Salon 2023.

To celebrate the launch of the 2022 CCP Summer Salon, Ben Clement talks to the thread that follows through his work and what photography has taught him about how to live.

We talk to EJ Hassan an emerging Melbourne-born photographic artist living and working on the land of the Bunurong/Boonwurrung people about how biophilia informs the photographic narrative and what photography teaches EJ about how to live

Melbourne based photographer Rhiannon Gamble talks to how applying constraints to the photographic process help disrupt comfort zones and redirects thinking around photographic boundaries and connection.

To celebrate the launch of the 2022 CCP Summer Salon, emerging photographer and filmmaker Ryley Clark working in Wurundjeri Country talks about the thread of identity, the human condition, place, community, time and serendipity shown present in this year's Salon submission.

To celebrate the 2022 Contemporary for Contemporary Photography's Summer Salon we sit down with Ali Choudhry and discuss why the influence of people is stronger and the differentiation between social and media.

Edition 15 of Melbourne Milieu celebrates one of Melbourne’s most important art institutions and one of the years most exciting exhibitions, the Centre for Contemporary Photography’s 2022 Summer Salon.

We sit down with Ayman Kaake, winner of the Brunswick Street Gallery 2022 Small Works Art Prize and discuss the impact of social media when creating, sharing and viewing work and the importance of both people and place

Zoe Kimpton talks to us about the story behind her photograph Reservations and how her passion for styling coupled with vintage clothing and objects inspire her to take photos

Melbourne based photographer Paul Marsland talks through artists that inspire him and why he prefers medium and large format cameras

We talk to Panisa Ongwat about how her Thai heritage inspires her and how everyday moments that are often overlooked are the most fascinating ones to capture

Multidisciplinary artist Laura Banfield discusses the story behind her submitted works, how the body, material culture and dance influence her work

We talk with photographer Claudia Pharès about the story behind her piece Motherwork and why the influence of people is stronger than the influence of place

Lidia Di Lallo talks to the power of social media and why she would quiz Ansel Adams on how technology has changed photography

We talk with Kane Alexander and learn what inspires him and what mechanical cameras he has loaded and in current use

Christopher Allery chats about what ignited his fascination with the dark, how Instagram can be a powerful tool and what he would ask American photographer Gregory Crewdson

Brigid Cara Reid discusses the story behind her works, what inspires her to take photos and the camera she uses

The CCP Summer Salon is back in 2022 for its landmark 30th year. This exhibition continues to be one of the most significant surveys of contemporary photography in Australia, presented in the famous ‘floor-to-ceiling’ Salon hang that has become a signature of this community-focused event.

States of Disruption, presented by CCP, investigates the destabilisation of the image and the self in the post-truth age, through the catalyst of photography in the ‘now’. The exhibition charts the fragility of the assumptions that our reality is predicated upon, and amplifies an array of voices: from the wary and questioning to the comic and exultant.

John Gollings is one of Australia's most established photographers. Site Unseen sees John explore artful compositions and visual stimuli to prompt viewers to a clear understanding of the form and stylistic attitude.

Ying Ang is a Melbourne-based storyteller who explores how photographs are an abstraction of reality. For Site Unseen, Ying prompts viewers to ponder the power of a photographer's perspective and "decisive moment".

Mengzhu Jiang is a trained architect and photographer who works as a designer in New York. Site Unseen sees Mengzhu explore how architecture as a subject can be an unconscious reflection of our feelings at a point in time.

Brooke is an Australian-American photographer based in New York. Site Unseen sees Brooke using lingering light, at the witching hour to capture Donald Judd's Marfa, Texas during a time of global uncertainty.

Morgan Hickinbotham is an Australian composer, producer and image maker who works within the mediums of sound, image and motion picture.

CCP presents Site Unseen—a group exhibition of architectural photography. Curated by photographer Tom Ross and supported by Milieu, the exhibition sees 16 photographers explore the potential that is unlocked when architecture is viewed as subject rather than object.

PHOTO 2022: Paul Mpaghi Sepuya reveals the dynamics and mechanics of portraiture and photographing, positioning queerness and Blackness at the core of the medium.

Queering the Frame: Community, Time, Photography, presented by CCP as part of PHOTO 2022 considers how the community narrate their histories—how voices are celebrated, and how the queer community shift otherwise heteronormative readings of history and information.

CCP: Considered Environment: the Photobooks of Yukio Tabuchi and Camera Mainichi

We, Us, Them: CCP x Belfast Exposed